mc²56 - A Global Standard Re-Defined

FUTURISTIC - FLEXIBLE - FORMIDABLE

Die dritte Generation des mc²56 steht für den nächsten Entwicklungsschritt eines Mischpults, das die Audioproduktionsbranche mit Hunderten von weltweit in Betrieb befindlichen Einheiten dominiert. Entwickelt mit dem Ziel bisher unerreichter Innovation, bietet das mc²56 nicht nur einen dedizierten, einfachen Zugriff auf ultimative Leistung - es ist ein globaler Standard neu definiert.

Unsere neueste Version des mc² 56 beinhaltet einige bahnbrechende Funktionen des Lawo Flaggschiffs mc²96, ohne etwas vom Charakter ihrer Vorgänger aufzugeben, mit Tugenden wie kompakte Größe, Flexibilität und vielseitiges Design für Anwendungen von Ü-Wagen und Studios bis hin zu Live-Performance und Recording.

Eine optimale Leistung in IP-Videoproduktionsumgebungen wird gewährleistet durch die umfassende Unterstützung von nativem SMPTE 2110, AES67/RAVENNA und DANTE. Das revolutionäre LiveView ™ -Feature von Lawo erlaubt Thumbnail-Ansichten von Videostreams direkt in den Fader-Label-Displays. Die branchenbeste Leistung in Netzwerkanwendungen wurde durch die Bereitstellung einzigartiger Funktionen wie IP-Share ™ Gain Compensation und DSCA ™ Dynamic Surface-to-Core-Allocation auf ein neues Niveau gebracht. Das und weitere Features unterstreichen, dass diese Konsole in komplexen IP-basierten Produktionsinfrastrukturen die erste Wahl ist.

Mit der neuen mc² 56 Konsole können Sie die Möglichkeiten Ihrer Audioproduktion noch weiter ausbauen, als Sie es sich vorgestellt haben. Jetzt mehr denn je der globale Standard für Audioproduktionskonsolen.

Lawo mc²56 Audio Mixing Console

AT A GLANCE

  • Frames with 16 to 112 faders
  • Up to 8,192 x 8,192 crosspoints
  • Up to 888 DSP channels
  • Up to 144 summing buses
  • Up to 128 aux buses
  • 44.1 – 96 kHz operation
  • Designed for IP-based infrastructures with native support for all relevant IP standards: SMPTE 2110, AES67, RAVENNA and DANTE®

APPLICATIONS

HIGHLIGHTS FOR BROADCAST

  • IP-based infrastructure with native support for all relevant IP standards: SMPTE 2110, AES67, RAVENNA and DANTE®
  • Optimized for multi-user operation
  • Advanced mix assist systems (AutoMix, UpMix, DownMix, prepared for KICK)
  • Networking and processing capacity with up to 8,192 x 8,192 crosspoints, 888 DSP channels, 144 summing buses and 128 aux buses
  • 44.1 – 96 kHz operation
  • Comprehensive Audio-Follow-Video functionality
  • LiveView™ video thumbnails
  • IP-Share™ Network Gain Compensation
  • DSCA™ Dynamic-Surface-to-Core Allocation
  • Integrated 3D / Immersive mixing tools
  • Parallel compression
  • Integrated loudness metering
  • Enhanced signal management functions for large productions (including swap and relocate)

HIGHLIGHTS FOR RECORDING

  • Dynamic timecode automation
  • Lawo-grade microphone preamps and processing algorithms
  • Machine / DAW remote control
  • Fully customizable signal chain with four independent dynamic modules
  • Clickless-delay adjustments
  • Parallel compression
  • Fanless console design

HIGHLIGHTS FOR PERFORMING ARTS

  • Selective Recall
  • Oversnaps (relative trim-sets)
  • Comprehensive theater automation cue list including multiple triggers (MIDI, GPIO, LTC, ...)
  • Waves SoundGrid® Integration
  • Neumann DMI-8® digital microphone integration
  • Workflow-specific customization of functionality and features
  • Clickless-delay adjustments
  • Mirror-console operation
  • A/B input switch
  • Cascaded / nested VCAs
  • IP-Share TM Network Gain Compensation
  • iPad and Windows Tablet remote control software
  • Integrated loudness metering for “visual” mixing

SPEZIFIKATION

Bedienfeld

  • Frames from 16 to 112 faders*
  • Remote stand-alone frames of 16 faders
  • 6 banks each with 2 layers
  • 100 mm fader + 4 freely adjustable rotary knobs + Input-Gain controller + channel display for each fader with sense-triggered change of module display
  • TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA
  • assignment, Mix-Minus, Signal Patching, Meter selection, Automix state
  • GUI page output, e.g. metering, on an external monitor
  • 8 user buttons, 4 talkback buttons and 4 user buttons per fader with 16 functions each
  • Optional: two integrated user panels (TC automation panel, 40 user button panel, reveal fader panel, RTW TM7 or TM9 goniometer), script tray

* dual fader version scheduled for Q4/2018

Signalverarbeitung

  • 40-bit floating point
  • 888 channels and 144 summing buses
  • Up to 760 inputs with A/B input, up to 64 sub-groups, up to 128 aux buses, up to 96 track buses, up to 48 main sums
  • Rapid switching of channel and bus to mono / stereo / surround
  • Up to 96 surround channels, 128 VCA groups with metering, 256 GP channels
  • Surround formats: DTS & Dolby ® Digital 5.1, Dolby ® Pro-logic 4.0, DTS ES & Dolby ® EX 6.1, SDDS 7.1, DTS-HD 7.1,diverse panning characteristics, surround aux bus
  • 2 AFL: 1 surround 8-channel, 1 stereo
  • 2 PFL stereo
  • Audio-follow-Video with 128 events, control via Remote MNOPL, GPI or matrix connection, envelope up to 10s fade time
  • Solo In Place
  • Permanent input meter at the fader, adjustable INPUT, PF, AF, DIROUT, TRACK meter point in channel display
  • Loudness Metering according to EBU R128 and ATSC A/85, momentary or short term in every channel, integrated measurement on sum channels with display of integrated LUFS value in headline
  • Modules: INMIX with MS decoder, digital amp, 2-band fully parametric filter, 4-band fully parametric EQ, 2-band fully parametric side chain filter, insert, delay up to 1800 ms – switchable units: meters, milliseconds, frames,
    4 independent dynamic modules: expander, gate, compressor (incl. parallel compression), limiter, image, meter, direct out
  • AMBIT Upmix, available on every 5.1 channel, fully Downmix compatible
  • 8 Automix groups available for mono/stereo/surround channels with unlimited contributing channels each
  • Inline configuration with send / return switching – per channel or global
  • Fully-equipped surround channel with coupling of all channel parameters and hyper-panning

Kreuzschiene

  • Up to 8,192 x 8,192 crosspoints, non-blocking
  • 96 kHz, 24-bit
  • Fully redundant signal path
  • Level adjustment for all inputs and outputs
  • Downmixing from surround (up to 7.1) to stereo
  • Integrated monitoring devices for remote locations, e.g. director’s room
  • 1,016 internal loop-backs
  • Full networking of up to 14 Nova73 Cores, share and import of sources and destinations, studio intervention
  • Full snapshot and production portability independent of matrix and DSP size

Plugin Server

  • Full VST plug-in integration with storage of plug-in parameters in snapshots and production data

Schnittstellen

  • Mic / Line, Line Out, AES3, 3G SDI, HD-SDI, MADI, ATM, GPIO, Serial, MIDI, ADAT ®, RAVENNA / AES67 / SMPTE 2110, DANTE ® Audio-over-IP; for details see DALLIS product information
  • Stereo and surround monitoring systems

Synchronisation

  • Blackburst, Wordclock, PTP, AES3, MADI, DANTE, 3 redundant inputs with automatic detection

 

 

Redundanzen

  • PSUs, DSP board, router board
  • Fully redundant signal path
  • Redundant control system, exchangeable during run time, full data redundancy

Steuerung

  • Bay ISO with separate layer and bank switching, plus second PFL / AFL bus
  • Global A / B input switching
  • Enhanced mix-minus control with independent off-air conference
  • Fader control of all level parameters
  • Diverse tally and fader start modes
  • Program switch
  • Machine control
  • Audio-follow-Video, up to 128 camera tallies, Ethernet or GPI controlled
  • Camera mic remote via GPI or voltage control

Externe Steuersysteme

  • Remote control of all routing parameters via network
  • Ember+ control protocol integrated
  • Remote control of integrated matrix monitoring units
  • Online configuration with AdminHD, graphical configuration of Nova73 components
  • External matrix controllers: Lawo VSM, Evertz Magnum, GV Ignite, Ross Overdrive, Vizrt Viz Mosart, Imagine Magellan, BFE KSC, Pharos, and others

Fernwartung

  • Connection via Internet remote software
  • Software updates, error diagnostics, remote assistance

Informationen zum mc²56 mkII finden Sie hier

Verwandte Produkte

 

Technische Änderungen vorbehalten, alle Angaben ohne Gewähr.

Christian Struck, Senior Product Manager Audio Production, über das mc²56 / 3. Generation.
Watch the video!

RAVENNA bringt IP in Ihr Mischpult