Innovason Eclipse - Push the limits

Eclipse GT is the world’s first digital console to offer fully integrated multi-track recording via the unique M.A.R.S Multi-track Audio Recording System. It is also incredibly powerful for its tiny footprint, enabling you to mix up to 104 inputs simultaneously into 48 mix busses with the capacity to manage up to 320 inputs on the console using up to five remote audio racks.

The control surface is furnished with 48 faders and 48 fully configurable rotary knobs (spread over four layers). The concept is called SmartPanel and effectively gives you 96 “faders”, taking INNOVASON’s original  SmartFAD concept to the next level. As a result, Eclipse GT is truly a multipurpose console, equally at home at FoH, monitors or in an OB van. No other console offers such flexibility of configuration and personalisation.

Multi Purpose

Digital Microphone Integration
Eclipse is the world's first console to offer the ability to control and memorize all the parameters utilised by the new generation of digital microphones. The completely integrated digital workflow that results from using digital microphones takes the dynamic range and signal fidelity experienced with analogue microphones to an exciting new level. A loss- and interference-free signal chain in audio production has finally become reality. In collaboration with Neumann/Sennheiser , we have developed a protocol that enables communication with the microphones and provides fingertip control of all these parameters. Save, export, backup etc.; all the microphone parameters may be saved to the Eclipse show file and are managed in exactly the same way as any of the console parameters.

Networking: Native Ethersound
Eclipse can be fully networked digitally. Ethersound can be used to connect the console to four audio stage boxes, third-party devices and up to 4000 other facilities that use Ethersound. Of course, several Eclipses can be connected with each other. This is not only a smart solution, but also extremely useful.

PANDORA*  PAN Digitally Optimized for Real Acoustic
PANDORA was designed to address the problem of panning in live situations with a big audience where people seated outside the centre of the PA zone do not hear the nicely balanced mix of those seated in the middle. The PANDORA function, now fully integrated as part of the new software release Nova 2.4.0, finally enables panning with no loss of information from left to right.

Virtual Soundcheck
The Eclipse allows a virtual soundcheck, which can be activated with the simple press of a button. How does it work? All live signals are disconnected from the stage and track playback is fed to the input channels. In this way, these signals are not only available on the FOH console, but also on all systems linked to the network (eg. the monitor area). Now Eclipse recreates exactly the same conditions as for the concert: perfect for the fine-tuning of your mix.

 

Recording - Onboard multitrack recording
The M.A.R.S. option includes a built-in 64-track recorder which records directly onto a hard disk plugged into the back of the console. A navigation bar and a time code module are available on the control surface for rapid access to recording and playback functions.

Relax
For complete peace of mind, Eclipse GT is supplied complete with a fully redundant power supply as standard.

Local I/Os
64 inputs and outputs are available at the rear of the console. There are six slots which will accept all INNOVASON I/O and effects modules, and a further sixteen balanced line I/Os are available on four SubD connectors. 

Other benefits

Simple and flexible
Eclipse GT comes with fully processed, configurable balanced XLR outputs as standard. You can choose between analog, AES or ADAT over fiber optic. The processing comprises a dynamic section (gate & compressor), a 4-band parametric EQ, a 31-band graphic EQ and a delay adjustable up to 460m with variable output level.

High quality internal effects
The internal effects from VB Audio can be used either via the aux sends or as inserts on the console busses. They provide an impressive range of high quality effects which are available as a list of plug-ins. The SmartPanel contains a dedicated layer which enables you to adjust all of the effects parameters using the rotary knobs.

Stage Boxes
Up to five remote audio racks may be connected to Eclipse GT via CAT5, coaxial or fiber optic cable.

Sonic Excellence
What can we say... Eclipse GT sounds fantastic!

Selected References Innovason Eclipse

Selected references as of January 2014

Theater

City

Country

Opéra Comique

Paris

France

Opera House Ufa

Ufa

Russia

American Airlines Arena

Miami

USA

Thália Theater

Budapest

Hungary

National Theater

Budweis

Czech Republic

Studio at Hamilton Place

Hamilton, Ontario

Canada

 

UNESCO

Paris

France

 

Théâtre Saint-Nazaire

Saint-Nazaire

France

 

J.K.Tyl Theater

Pilsen

Czech Republic

Beijing City Theater Long Hua

Beijing

China

Eurodisney

Paris

France

Kemerovo Cultural Palace

Kemerovo

Russia

City Theater Brno

Brno

Czech Republic

Hamburger Börs

Stockholm

La Gaîté Lyrique

Paris

France

Hôtel de Ville Paris

Paris

France

Madách Theater 

Budapest

Hungary

Theater Bielefeld

Bielefeld

Germany

Théâtre Redon

Redon

France

Debaser Rock Club

Stockholm

Sweden

Theater Schweinfurt 

Schweinfurt

Germany

Cité des Sciences Paris

Paris

France

Le Camji

Niort

France

Landestheater Detmold

Detmold

Germany

Centre des Arts

Enghien

France

Stadthalle Unterföhring

Unterföhring

Germany

Odeon

Tremblay-en-France

France

When facts count. The technical features of Eclipse

Technical Data

Product Dimensions

  • Console only:   15,6” × 45,78” × 30,41” / 396 × 1162,7 × 772,5 mm (H × W × D)
  • Console with flight case: 15,15” × 49,6” × 48“ / 385 × 1260 × 1220 mm 132 lb / 59,8 kg
  • Weight 99 lb / 45 kg
  • Power supply: 90 to 250 Vac, 47/63, 440 H z (automatic switching)
  • Redundancy:  Automatic (2 PSU )
  • Consumption: 270 VA maximum per power supply
  • Temperature range: +10°C to +35°C

Audio characteristics DSP Eclipse

  • Internal sampling frequency: 48 kHz
  • External sampling frequency: 44 to 49 kHz / Word Clock TTL and AES
  • Clock jittering: 5ns RMS
  • Calculations and internal processing: 40 bits floating decimal point
  • Audio-digital signal path: 24 bits fixed decimal point, 144 dB dynamic range
  • Analog signal delay: 1.3 ms - Path of nominal signal: Mic Input – DS P - Analog Output
  • Analog bandwidth: 15 H z to 20 kHz - Microphone Input Gain @ -3 dB
  • Range of mic/line input: -63 to 27 dB / Gain: 64 steps of 1.5 dB
  • Input dynamic range: 105 dB / Input Gain @ +6 dB, output @ +22 dBu
  • THD (+N): - 90 dB / Input Gain @ 6 dB, output @ +22 dBu
  • Equivalent input noise: -127 dB (Gain 60 dB)
  • Noise level:      -95 dBu (residual output noise)
  • -95 dBu (one output fader @ 0 dB)
  • -79 dBu (one output fader and one input fader @ 0 dB, gain 60 dB

Mixing capacity DSP Eclipse

  • Inputs mixed simultaneously: 104
  • Mix buses: 48 + one stereo monitoring circuit
  • Input processing: 104 / Delay – Low Cut – Phase – Gate – Compressor – PEQ
  • Mix buses processing: 16 (assignable) / Delay – Low Cut – Phase – Gate – Compressor – PEQ
  • Max adjustable delay: 222 ms (for inputs and inserted processing on mix buses)
  • Talk Back: One dedicated Mic Input
  • Digital interfaces: Two: Ethersound 64 I/O thru Cat5 link, MU XI 64 I/O thru coax cable
  • Patching: Patch grids allowing 144 inputs and 144 outputs patch connections (saved with the snapshots)

Audio Rack

  • Dimensions (H x W x D) : 12.2 x 12.3 x 19”  (310 x 312 x 482mm)
  • Weight : 44lb (20kg)
  • Dual redundant power supply
  • Power requirements : 300W max
  • Operating temperature: 50-90°F (+10°C - +35°C)
  • Eight I/O card slots
  • Muxipaire Stage Box if rack equipped with SCoptical card
  • DioCore (EtherSound interface) if equipped with ARC card (up to 4 DioCores may be used simultaneously)

Supplied with flight case:

  • Dimensions (H x W x D) : 29 x 20.6 x 24.6”  (737 x 532 x 626mm)
  • Weight : 59.5lb (27kg)

SR-16 Mini stage Box

Mini Stage-Box offering 16 balanced mic inputs with high-end preamps, 16 balanced outputs, and 8 general purpose I/Os. (GPI support by software future option for 2011.) Outputs are available on 8 XLR connectors, the other 8 on a Sub-D connector (Tascam-compatible format). onfiguration

Specifications SR-16

Configuration

  • Size: 2U 19" vRack: 88 x 482.6 x 325 mm
  • Power supply: 100-250 V AC , 50-60 Hz switching-mode, automatic voltage detection
  • Net weight 12.68 lbs / 5,75 kg

Inputs (measurements done at 48 kHz, with filter on the 22 Hz – 22 kHz range)

 

  • Balanced analog inputs (mono):  16 (line / mic level)
  • A/D converter resolution:  24 bits
  • Programmable input gain:  -22 to 71 dB by steps of 1 dB
  • Sampling frequency : 48 kHz or 44.1 kHz
  • Maximum input level (minimum gain): +22 dBu
  • Maximum input level (maximum gain): -73 dBu
  • Input impedance:  > 5 kΩ
  • Frequency response at 48 kHz:  20 H z - 20 kHz: +0 /-0.5 dB
  • Dynamic range (A-weighted):  > 114 dB
  • GPI: 8 'Ground Sensing' inputs

Outputs

  • Servo-balanced analog outputs (mono) : 16 (line level)
  •  A/D converter resolution:  24 bits
  •  Sampling frequency : 48 kHz or 44.1 kHz
  • Programmable attenuation:  -118 dB to 0 dB by steps of 0,5 dB
  • Maximum output level/impedance:  +22 dBu / < 100 Ω
  • Frequency response at 48 kHz:  20 H z - 20 kHz: +0 /-0.4 dB
  • Dynamic range (A-weighted):  > 114 dB
  • GPO:  8 relay outputs

Connectivity

  • Analog inputs: 16 inputs on female XLR -3
  • Analog outputs:
  • 8 outputs on male XLR -3
  • 8 outputs on female DB -25 (back panel)

 

I/O and FX Cards

  • All cards operate at a 24-bit resolution and a frequency of 48 KHz (43-49KHz if platform is Synchronised to an external signal)
  • SI-8D3: eight mic/line inputs on eight balanced XLRs. The SI-8D3, which incorporates eight extremely high quality pre-amps, is the origin of the legendary
  • INNOVASON sound quality. Gain is adjustable from -27 to +63dB
  • DI-8S: four inputs on four balanced XLRs provide eight AES input channels
  • DI-8Src: four inputs on four balanced XLRs provide eight AES input channels, each of which has its own SRC (sample rate converter). Accepts AES signal with a frequency from 32-56KHz
  • UM-8PO: eight analog outputs on eight balanced XLRs. Each pair of outputs is switchable to AES. The eight audio channels are also available as ADAT via a TOSlink connector. Each output is fully processed including 8-band parametric
  • EQ, 31-band graphic EQ, Gate, Compressor, Delay. Output level adjustable from10.5-22dBu
  • FM-8VB: Eight-channel I/O module with, between each I/O, four effects engines, each of which can receive a VB Audio plug-in with Reverb, Delay, Chorus, Flanger, Phasing, De-esser/Ducker, Compressor, Limiter, Expander, Parametric EQ and Graphic EQ inside

For more information please visit www.innovason.com

 

Options

Dio MadiES: EtherSound / Madi converter 64 channels

 

Subject to change without prior notice, no responsibility is taken for the correctness of the details provided.

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